"I just came back from Germany where I performed 27 Shakespeare sonnets accompanied by a cellist. As you get older, you understand the sonnets more because they're about time. That's what I've always needed most. Even though I started at 17, I wasn't ready. It never occurred to me to become a pop singer. It just happened. I had no control.
It took until my album 'Broken English' before I realized I could put to use the all the things I'd learned from sitting in on sessions with the Stones, Bowie, the Beatles. Not to put down my early work, but there was a time before I finally found my true voice. That's how Sofia Coppola used me in Marie Antoinette - - that was primarily about my voice. It's a precious commodity.
More on Faithfull in Hugh's San Francisco Chronicle story.